Sew Karen-ly Created...: Hobbs Batting

Showing posts with label Hobbs Batting. Show all posts

Tuesday, 24 May 2022

Crown Jewels

It's no secret that I'm a big fan of HM Queen Elizabeth II, so I was thrilled when Aurifil announced they were releasing a thread collection in honour of the Platinum Jubilee. The box reads: "The Platinum Jubilee Collection is Aurifil's humble tribute to Queen Elizabeth II. This year, we celebrate her success and achievements throughout her 70 years of service. Her fierce nature, resilience, and compassion have set a strong example, inspiring a new generation of leaders."

Inside the commemorative box is an array of colours fit for a queen: neutrals, plus gold, silver, platinum and of course, a very regal purple. The response to the collection has been very enthusiastic. Clearly I am not the only admirer.

I decided to use the colours in my thread box to make a small hanging in honour of HM. I had hoped to have this ready to release on Victoria Day (yesterday) which we celebrate as the Queen's birthday, but one day off is pretty close. Starting with a New York Beauty block, I drew a crown and fitted it with sparkling jewels. In the centre is a circle of deep, rich purple which I trapuntoed with 2 layers of Hobbs wool batting to try and emulate the puffy middle bit you see in pictures. (I don't have much in-person crown experience.) My intention is to use it to decorate a door, but if you left out the extra batting, it would be lovely on a table. For high tea, maybe! The thread collections are selling very quickly, but there are a few left on my website.

Naturally, I chose rich Island Batik scraps for my project, matching the shades of thread to the fabric. It didn't take long to make, as the jewels are foundation pieced. The quilting was kept quite simple.

The pattern is free to download, (click the link); I hope you will have fun with this. Canada Post has issued some lovely stamps, and I also found a lapel pin. There may be some commemorative china in my future as well if I can find something suitable.

"Long live our noble Queen"

Monday, 25 May 2020

Wholecloth Quilting

A couple of weeks' back I started machine quilting a whole cloth quilt as part of my "self-threaducation" during lockdown. I have set myself the task of trying out different weights of Aurifil threads in various applications to see how they look. As a dealer for this wonderful product I feel I should not just offer the thread for sale, but actually know how it performs in various applications.

The stitching was a breeze, but getting a good picture has been tricky!

This is a pre-printed kit from Benartex; on their website it is entitled simply Nautical Wallhanging, but it is labelled as Anchors Aweigh #783 on the package.

I chose to use a 28 weight thread on top, and a 40 weight on the bottom. For the 28 weight (wound on the grey spool) I chose a shade darker than the fabric 2314 Beige, just to give a bit of contrast. The thread in the bobbin is 40 weight in 2021 Natural White. It was a perfect match to the muslin.

Cross-hatching those straight lines seemed to take forever. In hind-sight, I should simply have used those lines as grid-marks for a quicker free motion filler.

The anchors and rope borders moved along very quickly. I had reservations about those lines coming out in the wash, but they did, all in one go. I hung it on the line to dry.

Since it has a nautical theme, I thought photographing it on the steps of the light house in Five Islands would be smashing. However, the tide was coming in when we were there and the high tides along this Bay of Fundy coast blow in with great enthusiasm. This small quilt didn't stand a chance of staying flat in those winds!

I tried it in various places, at various times of the day, with variable cloud and sunshine. Here it is in front of our new old barn.

In the end, soft natural light through the window seemed to show the stitching the best.

I am quite enamored with this 28 weight thread and how easily it stitches. You can purchase the thread here. More colours will be added soon.

The package calls this a wallhanging, but I think it would make a beautiful, heirloom baby quilt.

Tuesday, 31 December 2019

Looking Back On 2019, And Ahead To 2020.

From https://www.facebook.com/ReScapedotcom

Another over-busy, super-productive year is drawing to a close, and with it ends my 2 year tenure as an Island Batik Ambassador. I have enjoyed my experience with Island Batik *SO* much, and am very thankful for this amazing experience, but it was time for a change. Polly will miss receiving the bulging boxes of goodies, filled with products from sponsors Island Batik, Aurifil, Hobbs Batting, and Accuquilt. We remain ever grateful for the support of these very generous companies.

All of the projects shown below were stitched with product supplied by the above sponsors, and there is still lots on hand for many more quilts to come...

Over the Christmas break last year, I worked like crazy to get my quilt finished up in time for January's blog hop. I was sent the most gorgeous collection ever to work with, one called "Blossom". The result was Grandmother's Flower Blossom. Of all the quilts I've made, this is one of my favourites.

After the above pictures were taken in the park, I added tassels to each of the hexagon points, for the ultimate finishing touch. I love how this looks on the bed, like an old-fashioned coverlet.

Our monthly challenges began in February, where we were asked to make a miniature. This is a mini "X and O" from my book Quilting Beauties, quilted with Aurifil 80 weight thread.

The March challenge was Vintage Re-imagined, so I imagined a traditional string quilt forming diamonds, in wild jungle prints. It made a perfect Christmas present for my (wild, jungle) brother.

It was in April that I fell in love with the Accuquilt Go! cutter, when we were asked to use it for the challenge. "Into The Blue" was made with many, many half square triangles that were cut and sewn in record time. The Go! cutter has changed the way I design, as from now on all my HST's will be sized to match my dies. No more trimming for me!

May was our Modern challenge, and I did free hand rotary cutting and curved piecing to make an apple.

June took a lot of thinking, as it was to try something we haven't done before. I combined three techniques I had yet to try into one project and produced a quilt-as-you-go, reversible quilt, sewn and quilted on my serger.

In July, we had the pleasure of doing a thread challenge, to showcase the gorgeous threads we were sent by Aurifil. I opted to stitch out a faux New York Beauty using 80, 50, 40, 28, and 12 weight threads. The empty spools became finials for the hanging rod.

August was the "Beat The Heat" blog hop, and I was fortunate to get the very colourful Garden Party collection, designed by Colourwerx. Victoria Square in downtown Amherst was a great spot to photograph this full-size beauty.

For September, we were sent another die from Accuquilt. Mine was Cleopatra's Fan, and from this I made a Knight's Templar Cross, reminiscent of King Arthur. It's a generous lap size, but could probably also find duty as a cape, or hoisted as a flag. The quilt was photographed at the remains of the French Fort Beausejour in New Brunswick.

October was all about appliqué and although I am not a big fan, it did push me to make this Holly Jolly tabletopper which has adorned my kitchen table over this holiday season. I like it a lot. The quilting in the open space around the centre allows the Hobbs wool batting to really stand out. Using good quality batting makes all the difference in the finished appearance of your project, and Hobbs is tops in the field.

For November, we were challenged to make a quilt using our favourite tool. For me, that's EQ8. I came up with this modernized version of a Hudson's Bay Point blanket, which I have named Amherst Point. The bright colours on white, and angled ends, make this very appealing to my eye.

December was a 3-D challenge, and this optical illusion ended the year off on a high point for me. I am pondering a simplified version for an upcoming workshop, so please watch this page if you are interested in learning how to draft this. More later, as I take the time to think this through.

In addition to the required challenges, I made a few extra projects using Island Batik. Mrs Pugsley's Emporium started carrying the line, and I made this quilt called "Welcome Aboard", which the shop kitted, and quickly sold out.

This "10 Carrot" runner popped into my head late one night, and I couldn't wait to get making! Island Batik makes the most gorgeous orange shades.

This scrappy red and white string quilt was another Christmas gift, this time for my nephew. It used up a lot of little ends of red and white. I have a few more of these scrappy ones started which will get finished in the new year.

I also designed quilts for the new Island Batik collections introduced at spring and fall quilt market. "Pearls" was in the spring catalogue, displayed in the booth at Kansas City, and is still travelling in trunk shows to shops carrying the "Black Pearl"collection. The pattern is available here.

This piece, called Sweet Dreams, was shown at Fall Market in Houston and is now travelling with Island Batik reps. You can find ordering information for this "Forget Me Not" fabric in the current catalogue. The pattern is available for purchase here.

This stitchery was made using the solid white Island Batik and featured 12 weight Aurifil thread.The pattern/thread kit was the Christmas special sold exclusively in my thread store.

There were a few non-Island Batik projects also completed last year, as well as the presentation of a couple of workshops, a trunk show or two, and various vendor events with my thread. Again, my thanks to my sponsors for product, and to customers of my threads and patterns for your continued support. 2020 promises to be a year of change, and hopefully one which will include some much-needed time away from the machine. Hubby and I have taken a giant step and purchased a summer home near the shore where I grew up. It has a barn! It is an older house and needs some TLC, so that's the big project for next summer...and beyond. Already I am matching quilts to the rooms, and having fun with that, but there is real work ahead. (I think the Grandmother's Blossom quilt will will look awesome here!)

I've accepted the commission of another liturgical hanging, to be made of red and white silk (I'm excited just writing that...). It's due in November, but I hope to get started on it mid-January, so please check back and follow along in the making. Your presence will keep me on track! And I have thread, thread, and MORE THREAD on order to arrive early in the new year. I need to get cracking and update the website to accommodate the new stock.
The new Ambassadors for Island Batik will be announced soon, and I can't wait to see what everyone will be up to this year. I will share the list here. Wishing you and yours a healthy and happy 2020!

Thursday, 12 December 2019

Desiderata

Posting this final project of 2019 as an Island Batik Ambassador is bittersweet, as it is in fact my last project as an Ambassador...at least for now.

The theme for this month could not be more perfect for me:

Explore the world of 3D using your creative talents for this month’s challenge. Bring your inner artist out by using optical illusions, textures, trapunto or whatever else will make your quilt pop into life!

Over the years I have explored many facets of 3D and illusion, and taught workshops on isometric perspective using 60 degree angles. If interested, you can see lots of samples here. Three years ago, my bucket list was down to two remaining projects, both involving optical illusion. This Global Warming quilt, with it's very clever construction technique, was the first one off that list. It is still one of my favourites. It was such a leap of faith to sew all that patchwork and then take scissors and cut a big circle out of the middle of the quilt! But it worked, and brilliantly.

Finally, I tackled the mother of all optical illusion quilts,"Through The Lens", designed by Ukrainian quilter Mezhibovskaya Valery Vadimovna, who blogs under the name lerusisik.

Polly was as boggled making that one as I was!

For this month's final challenge I decided to keep it simple and piece a very basic optical illusion, the type we first learn to draw in grade school art class. In the Island Batik box which arrived in July, there were generous cuts of solid black, white and grey batiks provided, and I knew these would be perfect. I used the black and white (along with some blenders) for the front, and the grey for the quilt back.

Products used in this project were supplied to me by Island Batik, Hobbs, and Aurifil as part of the Ambassador program.

I taped plain freezer paper sections together to give me a 24" square, and drafted my very simple design in pencil. (Two lessons learned here: do NOT use scotch tape if you plan to iron the freezer paper to your fabric (it melts)...and be sure to draw with a fine, black sharpie, as those pencil lines smear and are hard to see later on.)

I located my focal point dead centre by drawing an X from corner to corner, and then ran my seam lines to this point. The numbering makes it look complicated, but in reality it's the opposite, as it keeps things in a logical order.

And of course, Polly was there to double check my work.

Since that original X gave me 45 degree angles in each corner, I used these as dividing lines for my floor, ceiling, and walls and pieced each section separately.

It was slow, but satisfying, when the seams matched. This shows the floor section completed.

When the first wall is added, you can really start to see the 3-D effect.Notice that although the patchwork appears a bit wonky, the bottom and left side edge are straight on the cutting mat.

I confess it was a very satisfying moment to find this patchwork measured a perfect 24" square when it was sewn! :) You will see I didn't bother to take the patchwork all the way into the centre, since there a sphere to be appliquéd there later. Doing it this way prevented a lump of seams.

Hobbs "Thermore" batting was chosen as it is thin but still provides loft. I like it a lot for wallhangings and table mats.

A plain black border was added on all sides, and the quilting kept very plain. Using Aurifil clear monofilament, I stitched lines radiating from the centre to the edge in both the floor and ceiling, and stippled every-other block in the walls in matching black and white Aurifil 50 weight. Dove Grey 2600 in the bobbin was a perfect match for the grey backing.

To make the spheres, I traced circles onto coloured batiks, drew equally-spaced curved lines, and layered with scraps of Thermore. I used black Aurifil 50 weight thread to zigzag the lines.

Because the squares of the chequerboard design were too small to appliqué, I opted instead to colour them in using Aurifil 12 weight thread, stitched free motion between the zigzag lines. (You can see I shaded in the sections before stitching so I wouldn't get off-track and colour the wrong ones.) It worked brilliantly and was MUCH faster than doing applique.

I backed the circles with plain black batik and stitched completely around each. I cut an X in the back and turned the circle to the right side. Any black that showed around the edges when I pressed would create a dark shadow line, perfect to reinforce the illusion.

Once the spheres were stitched, they were hand appliquéd on top of the background.

When photographed on a very dark, snowy day, the centre and front sphere appear to be the same colour, however in real life one is brown and the other is bright orange.

I decided to add a blue just for a bit of colour. I may change out the centre for a brighter yellow...but for now, I am happy with this.

Even though it's a very simple piece, I am pleased with how it turned out. The Island Batik fabric is a great choice for doing black and white patchwork as it doesn't fray so there are no stray threads of black ghosting through under the white.

My sincerest thanks to Island Batik, Aurifil thread, Hobbs batting, and Accuquilt for being such generous sponsors for this fabulous 2019 Island Batik Ambassador program. It saddens me to leave, but I have no doubt that the universe is unfolding as it should. Thank you for following along on the journey.

Please visit my fellow Ambassadors to see their final projects for the year:

Carolina Asmussen ~Carolina Asmussen

Gene Black ~ Gene Black

Pamela Boatright ~ PamelaQuilts

Connie K Campbell ~ Freemotion by the River

Anja Clyke ~ Anja Quilts

Tina Dillard ~ Quilting Affection Designs

Becca Fenstermaker ~Pretty Piney

Jennifer Fulton ~ Inquiring Quilter

Barbara Gaddy ~ Bejeweled Quilts by Barb

Dione Gardner-Stephen ~ Clever Chameleon

Sarah Goer ~ Sarah Goer Quilts

Vasudha Govindan ~ Storied Quilts